At home with strangers: Social exclusion and intimate labor in Anthony Chen’s Ilo Ilo (2013)

College

College of Liberal Arts

Department/Unit

Literature, Department of

Document Type

Article

Source Title

Feminist Media Studies

Volume

19

Issue

5

First Page

717

Last Page

731

Publication Date

7-4-2019

Abstract

In Singapore, many middle-class families employ foreign domestic workers (FDWs) to take on care and domestic work. In this setup, female FDWs need to be “a part of the family” and “feel at home” to better perform and render intimate labor, but they are structurally displaced and prevented from being fully integrated in both their employer’s homes and in the host country. Ilo Ilo (2013), a debut film by a Singaporean director Anthony Chen, has poignantly portrayed this paradoxical relationship by showing a young boy’s growing affection to his Filipina maid, and how this brief yet enduring bond demonstrates migration’s effects on both the foreign helpers and the middle-class families employing them. This Singaporean family melodrama depicts the affective nature of migration by demonstrating how FDWs are positioned as an intimate yet excluded figure inside the employer’s homes. The contradiction between intimacy and social exclusion seen in the film also simultaneously describes and prescribes the FDW’s place in the host country. The film illustrates the paradox of intimacy and exclusion in the host–guest worker relationship of employers and their maids within the private domains of household and the public discourse on FDWs’ claims in Singapore. © 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group.

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Digitial Object Identifier (DOI)

10.1080/14680777.2018.1513411

Disciplines

Arts and Humanities

Keywords

Anthony Chen. Ilo ilo; Foreign workers, Filipino—Singapore—Social conditions—In motion pictures; Social isolation—Singapore; Household employees—Singapore—Social conditions—In motion pictures

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