Lives in fiction: Auto/biographies as theoretical narratives
College
College of Liberal Arts
Department/Unit
Behavioral Sciences
Document Type
Article
Source Title
Asia-Pacific Social Science Review
Volume
14
Issue
2
First Page
94
Last Page
111
Publication Date
1-1-2014
Abstract
Sociological imagination is an open invitation to theorize from the stories we tell about ourselves and others. More than self-expression, the sociological ethos of auto/biographical narration is to extend the reality of a solipsistic and exclusive existence into a common and public experience. In order to achieve this, the narrator must convert biographies into scribed realities. The narrating process, however, has unique epistemic anchorage (memory-based) and stylistic requirement (literary) that encage lived lives in a fictional genre, giving this mode of writing a unique interpretive lens that projects new visions of the social. Consequently for theorizing purposes, auto/biographies are meaning-claims that should no longer be read exclusively in terms of their dramatic and documentary values, but more in terms of their theoretical affordances. This paper explores the implications and utility of fictionalized auto/biographical narratives in expanding the ambit of sociological theorizing. © 2014 by De La Salle University.
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Recommended Citation
Erasga, D. S. (2014). Lives in fiction: Auto/biographies as theoretical narratives. Asia-Pacific Social Science Review, 14 (2), 94-111. Retrieved from https://animorepository.dlsu.edu.ph/faculty_research/2046
Disciplines
Social and Behavioral Sciences
Keywords
Autobiographical fiction; Biographical fiction; Narration (Rhetoric)
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