Performance from the peripheries: An examination of selected disability performances in the Philippines
College
Br. Andrew Gonzalez FSC College of Education
Department/Unit
Educational Leadership and Management
Document Type
Web Resource
Source Title
iHuman
Publication Date
2020
Abstract
In this research, I examine a selection of disability performances in the Philippines. Performing in various peripheries of public spaces, the disabled artists in this study capitalise on what Kuppers (2003, p.49) calls the 'hypervisibility' of their disability as an 'instant categorisation' in order to address their invisibility as an active member in the public sphere. This project aims to go beyond first impressions and scrutinise the superficially problematic optics of these disability performances. To do so, I investigate their conditions of possibility and visibility, present a more nuanced reading of their tactics (narrative, musical, spatial, material, and embodied), and engage more critically with the consequences (new forms of audiencing and sociality) they generate.
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Recommended Citation
Tolentino, N. T. (2020). Performance from the peripheries: An examination of selected disability performances in the Philippines. iHuman Retrieved from https://animorepository.dlsu.edu.ph/faculty_research/14679
Disciplines
Arts and Humanities | Disability Studies
Keywords
People with disabilities and the arts
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