Date of Publication
4-2024
Document Type
Master's Thesis
Degree Name
Master of Arts in International Studies major in Asian Studies
Subject Categories
Asian Studies
College
College of Liberal Arts
Department/Unit
International Studies
Thesis Advisor
Charmaine M. Willoughby
Defense Panel Chair
Ron Bridget T. Vilog
Defense Panel Member
Mark Inigo M. Tallara
Robert Joseph Medillo
Abstract/Summary
Japan has been juxtaposing the world’s understanding of its Oriental background in making known its “authentic” Japanese voice, and scholarly criticisms point to Japan’s identity as unnatural and overly idealized. The study applied Self-Orientalism to analyze its brand image and authentic self. It contends that Japan is a self-oriental actor that engages in a strategic process of essentializing, styling, and conveying versions of its authentic self away from Western labels via its brand image, and to which country targets like the Philippines and Indonesia elicit unique responses to Japan’s policy parallelism because of their cultural horizons. In this case, the research examined Japan’s brand image via motives and self-perception, studied the varied reactions to Japan’s brand initiatives, and described Japan’s promotional challenges and self-oriental strategies abroad. The conclusion reiterated Japan’s multielement image as a Westernalized East and the target reception and response process based on the cultural horizon and strategic essentialism.
Keywords: Brand image, Self-Orientalism, cultural horizon, target countries, Westernalized East, and Japan
Abstract Format
html
Language
English
Format
Electronic
Keywords
Japan—Foreign relations—Philippines; Japan—Foreign relations—Indonesia; Cultural diplomacy—Japan; Cultural policy; Branding (Marketing)
Recommended Citation
Suñaz, A. M. (2024). The self-orientalist projection of Japan's brand image: Parallelism in its foreign cultural policy in the Philippines and Indonesia. Retrieved from https://animorepository.dlsu.edu.ph/etdm_intlstud/38
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Embargo Period
4-4-2026