Date of Publication

3-24-2025

Document Type

Bachelor's Thesis

Degree Name

Bachelor of Arts Major in Communication Arts

Subject Categories

Film and Media Studies

College

College of Liberal Arts

Department/Unit

Communication

Thesis Advisor

Eleazar L. del Rosario

Defense Panel Member

Adi Bontuyan
Gio Posadas II
Fatrick Tabada

Abstract/Summary

The short film aimed to offer a new and stylish angle to view the Philippine social class divide through one of the beloved sports games of Filipinos: billiards intertwined with the concept of hierarchy and power dynamics. The social class divide is easy to notice but often overlooked; with billiards in the picture, it is less difficult to grasp the politics of billiards and its game of rules, even with metaphors being utilized. One of the goals of the film was to portray the exploitation that occurs between classes as how each class sees an opportunity to profit from each other. Billiards is not only a popular pastime activity. It is also ingrained within the Filipino culture; no matter the age, anyone can learn and enjoy the game. Hailed as a game of skill, not privilege, the sport or game provides a brief moment of “equality” between players or participants. Billiards places are accessible as they can be found almost anywhere, even locally. The story of the short film was told in a non-linear fashion. Actors were hired to play the roles of Mok, the runner, and the backer, who portray the social classes. The film was shot mostly in one location, although there are still some shots in other locations that assist in influencing and enhancing the narrative and its flow. Sound design was as crucial as the shots as it paints a more vivid picture that furthers the narrative. Film emulation was utilized in this project by emulating the film stock Kodak 2383. Contrasting billiard locations also told a story in the film; one was locally found in the streets, and the other was a more established one with food and beverage services. The film, rather than offering a direct resolution, left the audience to reflect on the ongoing class struggles in the country. The visual and audio clips (shots, follies) used were recorded in person to produce the most authentic scenarios as immersive as possible. The MP4 format HD 1080p was chosen to prioritize storage, ensure ease of access, and maintain the vision sought after.

Abstract Format

html

Language

English

Format

Electronic

Keywords

Short films--Philippines

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Embargo Period

4-3-2028

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Available for download on Monday, April 03, 2028

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