Date of Publication
4-2009
Document Type
Master's Thesis
Degree Name
Master of Arts in Language and Literature Major in Literature
Subject Categories
Arts and Humanities | Social and Behavioral Sciences
College
College of Liberal Arts
Department/Unit
Literature
Thesis Adviser
David Jonathan Y. Bayot
Defense Panel Chair
Paz Verdades Santos
Defense Panel Member
Gerardo Torres
Genevieve Asenjo
Abstract/Summary
With the influx of Korean nationals in the Philippines also came the phenomenal rise in popularity of the Tagalog-dubbed Korean dramas or Koreanoveals, and the number of Filipinos employed in jobs with a service-oriented nature. Indeed, globalization has dissolved strict national boundaries and subtly yet expediently facilitated the transfer of bodies, cultural products, and ideologies that perpetuate inequality. Investigating the reasons behind the passivity and tolerability of the Filipinos to the service-provider roles they take while serving as hosts to these foreign nationals, the study examined two Koreanovelas Jewel in the Palace (2003) and Full House (2004) as representative texts in a structuralist reading of the Korean cultural artifacts widely consumed by the Filipinos. Rendered a semiological demythologizing reading with focus on binary oppositions and narratological pattern, the Koreanovelas yielded a structure which supports a “grammar” of servitude which positions the Filipino subject to invisibly render itself as the other in the Korean-Filipino relation imaginary. The Koreanovelas, with all its romantic conventions, helped facilitate the Filipinos’ creation of their own hegemonic reality masked in a global service-economy with invisibility and acceptability. With this, the study explored on an interestingly new concept that it exposed – a self-othering, or auto-Orientalism which the Korean presence in the Philippines foregrounds.
Abstract Format
html
Language
English
Format
Electronic
Accession Number
CDTG004510
Shelf Location
Archives, The Learning Commons, 12F Henry Sy Sr. Hall
Physical Description
73 leaves, 28 cm.
Keywords
Koreans—Philippines; Korean drama—Philippines; Mass media and globalization; Cultural appropriation—Philippines
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Recommended Citation
Marasigan, N. B. (2009). Globalization and (auto-)orientalism: The structure of Koreanovelas and the Filipino subjects in signs and mythologies. Retrieved from https://animorepository.dlsu.edu.ph/etd_masteral/6144
Embargo Period
4-21-2022