DLSU Arts Congress Conference Proceedings
The DLSU Arts Congress Proceedings publishes selected papers from the DLSU Arts Congress held annually at De La Salle University, Manila, Philippines. This university-wide program is currently led by The Academy, in collaboration with the College of Computer Studies (CCS), College of Science (COS), College of Liberal Arts (CLA), Br. Andrew Gonzalez FSC College of Education (BAGCED), Culture and Arts Office (CAO), Ramon V. del Rosario College of Business (RVR COB), The Libraries, and The Museum. This annual congress invites papers, creative performances, and artworks on the themes of the arts, the humanities, and innovation, with multidisciplinary perspectives. DLSU Arts Congress Conference Proceedings.
Current Volume: Volume 10 (2026) Reinventing Human Creativity and Learning for Collective Transformation
The 19th DLSU Arts Congress (DAC) sought to probe how advances in science and technology, and the growing presence of AI in cultural life, are reshaping the conditions for creativity, pedagogy, and collective transformation across the Arts, Humanities, Business and Economics, and Science and Technology. The congress aims to explore how artistic practice and pedagogy have responded to emerging technical and social realities, how science and technology can more meaningfully engage with the Arts and Humanities, and how AI can enrich artistic and educational experiences while upholding ethics, equity, cultural diversity, and ecological responsibility. It also invites reflection on how our ethical frameworks and systems of governance are evolving to ensure accountability and integrity in the use of AI.Conference Papers
Tunograpiya: Creative Placemaking in the Sonic Ecology of the Urban Green Spaces at the University of the Philippines
Jerome Aizpuro Suplemento II, Clarissa Marie Borra Rodriguez, and Anna Patricia Rodriguez Carranza
Atomos Komiks - Making Learning Fun with Science Entertainment
Jerome Aizpuro Suplemento II and Julius Noah Hernandez Sempio
Kapwa Beckett: Co-Performance, Pakikipagkapwa, and Relational Meaning-Making in Philippine Stagings of Samuel Beckett
Christian Gabriel Tolentino
“Shh!” Bleaching as an Auto-destructive Art Method of Representing the Silencing of Women
Kristelle Tenero de Leon
Phantoms of the Self: An Art Installation on the Commodification of Anik-Anik Culture
Vito Lomod, Minuet Deniña, Jaihzel Failana, and Joshua R. Marcial
BikoLearn: Enhancing Bicol Language Proficiency Among Heritage Learners
Nathalie T. Lim-Cheng, Mark E. Abergos, Joshua H. Baccaro, Edward E. Tab, and Christian A. Dela Peña
Drawn for a Brighter Tomorrow: A Functional Art Workshop as a Path to Livelihood and Skills Development under the Pasay Social Welfare and Development Department (PSWDD)
Liane Oxana V. Estuesta, Giana Margaux D. Bustos, Anne Kirsten Cerish S. Gamayo, and Julia Patrish P. Go
Budol-Budol Time: A Perspective from the Global South on Generation Z’s Digital Status Consumption Through an Interactive Video
Luis Angelo Francisco Lopa, Kateleen Claire Malabag Gonzales, and Jaedon Tongol Santos JATS
BEKIZINE: A Zine Featuring Selected Queer Artists and Narratives
Daniel D. Sullano, Alex Ayson, Arianna Atas, Renee Sophia Caponong, Merix Kobi Blancaflor, and Fernando R. Lacson
Pagbabago ng Tema at Representasyon: Anita Magsaysay-Ho tungo kay Karen Ocampo Flores
Cristy Allen Serote and Ernesto V. Carandang II
